Although Brunhilde Pomsel always described herself as just being a side-line figure and not at all interested in politics, she nevertheless got closer to one of the worst criminals in world history than anyone else presently alive. Today aged 105, Pomsel used to work as secretary, stenographer and typist for the Nazi Propaganda Minister Joseph Goebbels. Brunhilde Pomsel’s life mirrors the major historical ruptures of the 20th century and German life thereafter. Nowadays, many people presume that the dangers of war and fascism have long been overcome. Brunhilde Pomsel makes it clear that this is certainly not the case. “A German Life” forces viewers to ask themselves what they would have done and whether they would have sacrificed any possible moral principles in order to advance their own careers. Her extraordinary biography and unique personal journey into the past lead to disturbing and timeless questions:

Have we moved on or are we still unclear about our own morals and humanity and more importantly:
Where do I stand on these issues today?

Supported by:

Supported by ORF Film/Fernsehabkommen; Das Land Steiermark; BMBF Bundesministerium für Bildung und Frauen; Österreichisches Film Institut; Kultur Niederösterreich; MA7 Wien Kultur